By J. Courtney Sullivan
J. Courtney Sullivan’s celebrated debut novel is a glowing story of friendship and a desirable portrait of the 1st iteration of ladies who've all of the possibilities on this planet, yet no transparent concept approximately what to settle on.
Assigned to an analogous dorm their first 12 months at Smith collage, Celia, Bree, Sally, and April couldn’t have much less in universal. Celia, a lapsed Catholic, arrives with a bottle of vodka in her suitcase; attractive Bree pines for the fiancé she left at the back of in Savannah; Sally, preppy and obsessively neat, is reeling from the lack of her mom; and April, a thorough, redheaded feminist donning a “Riot: Don’t Diet” T-shirt, desires a room move instantly. Written with radiant kind and a depraved humorousness, Commencement follows those not likely associates via collage and the years past, brilliantly shooting the advanced panorama dealing with younger women this day.
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Extra resources for Commencement
My father’s hand grabbed me by the neck and lifted me up. ” “Please, Father …” He threw me face-first against the wall with all his might and the bang on my head made me lose my balance and crash down like a bag of bones. I crawled into a corner and stayed there, curled up in a ball, watching as my father opened my wardrobe, pulled out the few clothes I possessed and hurled them on the floor. He looked in drawers and trunks without finding the book until, exhausted, he came back for me. I closed my eyes and pressed myself up against the wall, waiting for another blow that never came.
Until a few months previously, the only thing I longed for when I went to bed every night was to be able to muster enough courage to speak to Cristina, the daughter of my mentor’s chauffeur, and for the hours that separated me from dawn to pass so that I could return to the newspaper offices. Now, even that refuge had begun to slip away from me. Perhaps if one of my literary efforts was a resounding failure I might be able to recover my colleagues’ affection, I told myself. Perhaps if I wrote something so mediocre and despicable that no reader could get beyond the first paragraph, my youthful sins would be forgiven.
I saw that his Hispano-Suiza was parked below, on the corner of Calle Princesa. The chauffeur, Manuel, was polishing the chrome with a rag as if it were a sculpture by Rodin. Manuel had always reminded me of my father; they were men of the same generation who had suffered too much misfortune and whose memories were written on their faces. I had heard some of the servants at Villa Helius say that Manuel Sagnier had done a long stretch in prison and that when he’d come out he had endured hardship for years because nobody would offer him a job except as a stevedore, unloading sacks and crates on the docks, a job for which by then he no longer had the requisite youth or health.
Commencement by J. Courtney Sullivan