By Paulo Drinot

ISBN-10: 0822347679

ISBN-13: 9780822347675

Ernesto “Che” Guevara two times traveled throughout Latin the United States within the early Fifties. in accordance with his money owed of these journeys (published in English as The motorbike Diaries and Back at the Road), in addition to different old assets, Che’s Travels follows Guevara, kingdom by way of nation, from his local Argentina via Chile, Peru, Colombia, and Venezuela, after which from Argentina via Bolivia, Peru, Guatemala, and Mexico. each one essay is targeted on a unmarried kingdom and written by way of a professional in its heritage. Taken jointly, the essays shed new gentle on Che’s youth through studying the targeted societies, histories, politics, and cultures he encountered on those journeys, the methods they affected him, and the methods he represented them in his travelogues. as well as supplying new insights into Guevara, the essays supply a clean viewpoint on Latin America’s adventure of the chilly battle and the interaction of nationalism and anti-imperialism within the the most important yet particularly understudied Fifties. Assessing Che’s legacies within the nations he visited in the course of the trips, the members learn how he's remembered or memorialized; how he's invoked for political, cultural, and spiritual reasons; and the way perceptions of him have an effect on rules in regards to the revolutions and counterrevolutions fought in Latin the United States from the Nineteen Sixties in the course of the 1980s.

Malcolm Deas
Paulo Drinot
Eduardo Elena
Judith Ewell
Cindy Forster
Patience A. Schell
Eric Zolov
Ann Zulawski

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Extra info for Che's Travels: The Making of a Revolutionary in 1950s Latin America

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In the process, however, The Motorcycle Diaries (in both its written and film versions) achieves an e√ect at a cost: namely, obscuring for the audience key features of the historical setting of migration in which Guevara’s voyages took place. The social landscape of the 1950s has been partially erased. Missing are the migrants moving between rural areas or relocating permanently to cities like Buenos Aires, further swelling the neighborhoods and suburbs of the postwar Argentine metropolis. Absent as well are the clusters of tourists on their way to resorts and other sites, among them working-class families participating for the first time in Peronist programs.

He punctuated his voyage of 1951–52 with stops at hospitals, clinics, and leprosariums that were hardly standard sites for tourists but held special interest to a young man concerned with the socially marginal and the sick. There is little doubt that the risk-taking Guevara went farther than his peers to seek out people from di√erent social worlds. It is this side of Guevara’s personality that The Motorcycle Diaries best captures. By omitting references to previous travel experiences, the text presents an image of the young Guevara as wide-eyed and inexperienced, which only accentuates the drama of his discoveries on the road.

These passages of the film underscore Guevara’s connections to a privileged social milieu, but also his personal disdain for its pretensions (conveyed through the actor Gael García Bernal’s formidable frown). The depiction of a comfortable life in Argentina establishes a foil to the poverty encountered during his journey: for example, the Ferreyra mansion, seemingly isolated in its opulence from the rest of society, o√ers a contrasting visual parallel to the remote San Pablo leper colony in Amazonian Peru near the movie’s end.

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Che's Travels: The Making of a Revolutionary in 1950s Latin America by Paulo Drinot

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