By Brian Aldiss
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Additional resources for Barefoot in the Head (Panther science fiction)
Each in isolation shipwracked. Always a farther coast beneath the coastline. I now my own mariner seized from sealess Serbia crossed at last the saint rowing with muffed oars down foggy Port of London to the crimeship or Sir Francis circumaggraving the globe under my own prowess crossed the eggless waters to these shores this man this mantle. They saw each other in a frost of violence crystallised recognised - a thousand self-photographing photographs fell about them on each a glimpse without its clue a fist a wrist a shoe a wall a word a cry Charteris we cry we hear his voice cry Paradise.
He was eating something out of a can; that was now his way, no meals, only snacks, the fuzzy feeder. Kind of impersonal. “I'm a mongrel, aren't I? Some Gurdjieff, more Ouspenski, time-obsessed passages from here and there, no zen or that - no English-men, but it's going to spread from England out, we'll all take it, unite all Europe at last. A gospel. Falling like PCA. America's ready, too. ” She touched him. He had dropped a baked bean on to the masterwork. It almost covered a word that might be ‘self-fulfilment’.
When the Escalation came along, the two of them were half-lying on the camp-bed, limbs entangled, not actually copu-lating. Greta wept, supported by two of the group. ” Ruby Dymond turned his cheeks into a poor grey. “Man the Driver,” Chapter Three. Literature of the Future Affecting Feeling of the Future. Ouspenski's concept of mental photographs postulates many photographs of the personality taken at characteristic moments; viewed together, these photo-graphs will form a record by which man sees himself to be different from his common conception of himself - and truer.
Barefoot in the Head (Panther science fiction) by Brian Aldiss