By Frantz Fanon
An incisive and illuminating account of ways, in the course of the Algerian Revolution, the folk of Algeria replaced centuries-old cultural styles and embraced definite old cultural practices lengthy derided through their colonialist oppressors as primitive, that allows you to smash those self same oppressors. Fanon makes use of the 5th 12 months of the Algerian Revolution as some degree of departure for an explication of the inevitable dynamics of colonial oppression.
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Additional resources for A Dying Colonialism
For a European to own a radio is of course to participate in the eternal round of Western petty-bourgeois ownership, which ex tends from the radio to the villa, including the car and the refrigerator. It also gives him the feeling that colonial society is a living and palpitating reality, with its festivities, its traditions eager to establish themselves, its progress, its taking root. But especially, in the hinterland, in the so-called colonization cen ters, it is the only link with the cities, with Algiers, with the metropolis, with the world of the civilized.
Then more re ports would reach him. Different persons would claim to have seen "Zohra or Fatima unveiled, walking like a ... My Lord, protect us! . " The father would then decide to demand explanations. He would hardly have begun to speak when he would stop. From the young girl's look of firmness the father would have understood that her commitment was of long stand ing. The old fear of dishonor was swept away by a new fear, fresh and cold-that of death in battle or of torture of the girl. Behind the girl, the whole family-even the Algerian father, the authority for all things, the founder of every value-following in her footsteps, becomes committed to the new Algeria.
The one supporting the other, but ap parently strangers to each other. The one radically transformed in to a European woman, poised and unconstrained, whom no one would suspect, completely at home in the environment, and the other, a stranger, tense, moving toward his destiny. The Algerian fidai, unlike the un balanced anarchists made famous in literature, does not take dope. The fidai does not need to be unaware of danger, to befog his consciousness, or to forget. The "terrorist," from the moment he undertakes an assignment, allows death to enter into his soul.
A Dying Colonialism by Frantz Fanon